Archive - 2013

1
Controversial Authors
2
Social Media Addiction (Part 2)
3
Social Media Addiction
4
Facebook Likes
5
Twitter Annoyances
6
Movie Adaptations of Books
7
Twitter Authors (Part 2)
8
Twitter Authors
9
Death of the Browsing Shop
10
Book Related Twitter Experiences

Controversial Authors

Many authors have been branded as being controversial over the course of history.  What actually constitutes controversy is of course a highly subjective matter and an author whose work was viewed as being controversial in one era may not be in a later one.  Then there are those authors whose controversy may not be limited only to their work but also to their actions.   The following blog post is dedicated to two authors, widely regarded as being controversial, who will always be remembered as being pioneers by the literary establishment.

Voltaire

Voltaire

 (November 21st 1694 – May 30th 1778)

Notable works: Candide, Letters on England and Zadig.

Living to the ripe old age of eighty-three in an era with a life expectancy of about fifty, Voltaire is remembered to this day as being a central figure in the 1700’s intellectual movement, The Enlightenment.  A prolific and witty writer, Voltaire embraced a variety of writing forms including poems, plays, essays, novels, scientific and historical works.  Unrelenting in his criticism of the establishment, church and the order of the day, Voltaire can in many ways be viewed as a modern person, due to his opinions about social reform, his criticism of elements within The Bible and his preaching of religious tolerance.  Voltaire’s beliefs and determination to voice them certainly didn’t endear him to many and he had to endure beatings, two stints in The Bastille and a period of exile in London.  His most famous work is undoubtedly the novella, Candide, a satirical work that was widely banned at the time due to it being viewed as blasphemous and revolutionary.

William S. Burroughs

WilliamBurroughs

(February 5th 1914 – August 2nd 1997)

Notable works: Junkie, Queer, The Soft Machine & The Naked Lunch.

William S. Burroughs will always be remembered as being at forefront of the Beat generation, influencing the likes of Jack Kerouac and Allen Ginsberg.  His works include eighteen novels, in addition to a number of novellas and short stories, many of which are semi-autobiographical in nature.  Burroughs’s writing is characterised as being sardonic, dark and often humorous.  Arguably his most famous book, the non-linear Naked Lunch was so scandalous at the time of its publication that it underwent a court case under U.S. obscenity laws.  A controversial character with a penchant for rent boys and heroin use, Burroughs ended up killing his second wife Joan Vollmer in Mexico after attempting to shoot a water-tumbler, which she had balanced on her head.  Even in death controversy continues to follow Burroughs.  Only last year a Turkish publisher faced obscenity charges after releasing a Turkish translation of The Soft Machine.

Click here to read a review of The Soft Machine.

Social Media Addiction (Part 2)

Social media has changed the very nature of the world that we are living in.  Take the fact that Facebook alone has 1.11 billion users or that 21% of the world’s active internet users are said to access Twitter every month.  Not only has social media usage continued to increase exponentially, but it has become more visible, with people accessing the internet by mobile phone having increased 60.3% to 818.4 million over the last 2 years.  Everywhere we go we are surrounded by people Tweeting, sending Facebook updates, watching YouTube videos, connecting on Google+, networking on LinkedIn and much more besides.

SocialMediaAddict3

(Courtesy of www.businessgrow.com)

 Last Friday shortly after finishing posting Social Media Addiction (Part 1), I went to the cafe near my house.  It was the usual scene, a lengthy queue of people, all fiddling with their mobile devises.  There were Blackberrys’, iPhones’, Androids’ and a smattering of Samsung Galaxy S3s’.  In front of me a teenaged girl was typing into her mobile.  Leaning forward I could see she  was sending a Tweet on Twitter.  It said,

   ‘In Starbucks, so many choices :?’

A short while later the barista asked for her order.  The girl, still typing on her mobile was oblivious to the question and the barista was forced to repeat the question two more times, before she finally looked up and turned her attentions to the menu board.

Over a minute had passed when I said to her, ‘In your own time.’

She glared at me and then ordered an ‘extra hot cafe latte with soy milk.’

After which she typed another Tweet, which I knew was about me.  I knew this because I was peering over her shoulder, but she noticed and said, ‘excuse me,’ in a theatrical tone, shielding the phone from my view, as she continued typing and I was left wondering what the Tweet said, what smiley she used and the choice of hashtag – #somepeople, #rude or #goaway  perhaps.  Or some other colloquialism that has been trending recently, more than likely instigated by Justin Bieber.

From my table where I sit drinking a cafe mocha with normal milk, I can see the girl taking a photograph of her extra hot cafe latte with soy milk and then she’s on her mobile again, no doubt Tweeting the details before posting the picture on Facebook and Pinterest.

SocialMediaAddict4(Courtesy of ejiu111.wordpress.com)

All around me it’s the same story.  School children crowded around a table, all typing feverishly into their mobile phones.  A mother Tweeting incessantly, her toddler in a high-chair beside her mimicking each gesture, pressing imaginary buttons on the surface in-front of him with chocolate stained fingers.

It is at this moment that I find myself asking if we are all addicted to social media and I continue to contemplate this for quite sometime, whilst sipping my mocha and at the same time viewing my Twitter Feed on my iPhone screen.

Perhaps addiction is merely a matter of consumption vs communication and as communicating is not consuming it is not addiction.  At any rate is it not better that people are kept busy fidgeting with their hand-held devices than fiddling with cigarettes, bottles of spirits and syringes.  Though there are instances where people appear to have mastered doing both at the same time.  A Youtube video (now removed) was an instructional video by a girl  living in some remote Montana prairie town on how to Tweet with one hand whilst at the same time with the other preparing and smoking a meth pipe.

 

Social Media Addiction

Social media addiction is an official condition.  In London alone clinics reportedly treat hundreds of patients a year suffering from various forms of social media addiction.  It is expected that in the forthcoming years social media addiction will become a pandemic.  These addicts include Facebook fiends, Twitter takers, prodigious Pinteresters’, Google+ guzzlers and LinkedIn lavishers.  Social media addicts are notorious mixers, rarely satisfied with merely one product, they frequently combine the aforementioned and other products in conjunction, in hazardous cocktails similar to ‘speedballs’.

Addiction

(courtesy of SocialMediaGroup.com)

Researchers have found that social media features such as Likes and RTs’ result in the release of the potentially addictive brain chemical, the neurotransmitter, dopamine, in the same manner as hard drugs.  This is certainly one explanation for why I’ve been feeling so high this last week, having got over a hundred new Likes for my Facebook Fan page, Charles Middleworth.  I can only hope this won’t be followed by a come down.

We’ve probably all heard of social media addiction by now and if you haven’t I can guarantee you will be hearing lots about it over the forthcoming years.  Personally I hadn’t given it much thought until by chance I found myself in a discussion with an individual, who informed me that he had been diagnosed as a social media addict.  Keen to find out more about this affliction, I immediately began to quiz him about it.  The following is an extract from the conversation:

Me: What forms of social media were you addicted to?

Addict: Facebook, Twitter, Pinterest and Google+, with occasional LinkedIn benders.

Me: What’s the most addictive form of social media.

Addict: Facebook has the worst withdrawal.

Me: Your saying Facebook is the heroin of social media.  How is it so dangerous?

Addict: Excessive Facebook is to the detriment of real meaningful relationships and connections.

Me: Like.

(The addict seemingly does not find my witty Facebook joke amusing).

Me: How are you recovering?

Addict: Abstinence is the key.

(Did I mention we are having this conversation on a social media platform).

The addict is getting restless now, his words are harried and there’s an absence of punctuation.  He’s soon making excuses about having to go.  But I want to find out more about his addiction and I know enough about addiction to know how to keep him there.  I’m telling him I’ll Like his Facebook page and RT his Tweets.  This promise of a dopamine fix has him communicating enthusiastically again.  In no time at all he’s telling me all about the dangers of Pinterest.

(Pinterest for those that don’t know is a social media platform for sharing pictures).

‘Don’t be so melodramatic’, says I, ‘you make sharing pictures sound as dangerous as sharing needles.’

The addict is soon restless again and having made an excuse about having to check Google+, he’s off, but not before securing the promise from me of a ‘speedball’, consisting of a couple of Facebook Likes in conjunction with a Twitter RT.

Addiction2

(courtesy of VisibleBanking.com)

After the conversation I did some research about social media addiction and discovered that to qualify as a social media addict you have to use the medium for more than five hours per day, which brings tangible relief for me as well as a release of dopamine.  However it’s bad news for all those social media professionals out there.

Do you think you might be a social media addict?  Take the blueglass.com quiz and find out for yourself.

To be continued next week.

Facebook Likes

Until last year I didn’t use Facebook much, but shortly after my book, Charles Middleworth was released, I set up an Author Page and begun exploring with enthusiasm, this, the behemoth of Social Media platforms (901m users approx).  I realised that I Liked Facebook.  In fact as I was soon to discover Facebook is all about Liking.  One can Like everything from pages to posts, pictures and comments.  All you have to do is click Like and I duly did.  I Liked author pages, product pages and lots of pictures, including plenty of cats, dogs and people at parties.

Like

In no time at all I was clicking Like repetitively time and time again.  I Like this picture of a cat and that one and that one too and yes I Like that author page and that one, that one and that product page and that product page too and that picture of a tractor.  But not you, I don’t Like you, I don’t know why I just don’t.  So I bypass that one and I’m Liking again, incessantly now, Liking multiple pages, pictures and posts.  On one page I see a comment that says ‘Phone me tomorrow Emma’.  I don’t know Emma or who sent it but I click Like anyway.  But then I asked myself if that is something you can even Like.  However I had no time to dwell on this because I was back Liking again.  Product pages, fan pages, pictures, remarks and the list goes on.  But then I came across a Facebook profile page with a photograph across the top of a line of pooches dressed in uniforms, with the owner’s beaming face in the middle and this I don’t Like, so I look for the Dislike button.  But there is no Dislike button anywhere on the page and there is no Dislike button on any other Facebook page either.  So I go onto Google and search for ‘Facebook + Dislike button’, only to discover that there is no Dislike feature.  And I find myself asking what is the value of a world without comparison and what does Like even mean in the absence of Dislike.  Not much one might argue.

Facebook

Research on the subject certainly suggests this.  Performerinsider.com claims 99% of Facebook fans are useless.  Yet companies marketing departments continue to court Likes.  The world’s largest brands have many Likes.  When I visited Coca Cola’s Facebook page I saw they had 64,357,439 Likes.  Make that 64,357,440 Likes.  I Like Coca Cola, I really do.  So much so that I drink it regularly.  McDonald’s had 28,451,803 Likes and I Liked it too, but only because there was no Quite Like button.  Next up was Oreos, who had 33,234,940 Likes and I clicked Like again, though I’ve only had an Oreo once and can’t remember what it tasted Like.  But we all Like cookies don’t we and 33,234,940 people can’t be wrong.

Whatever the value of a Like the fact remains that if we take the trouble to build a nice looking Facebook page that we want people to visit, it is going to look better with a lot of Likes than with hardly any or worse still none.  So we too court Likes and the circle goes one.  My Facebook Fan Page is Charles Middleworth.  Feel free to Like it and I will probably reciprocate, although there may be rare instances when I cannot bring myself to press the Like button.

If you’re an author on Facebook and want more Likes you might be interested in the Facebook Like Literary Cafe.

                                                                                                                                                                                                                                                           

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What happens when Adrian, an actuary, has his banal and predictable existence turned upside down by sinister forces that he can neither understand nor control?  How will he react to a revelation that leaves his life in turmoil?  Will he surrender or strive for redemption in an altered world, where rationality, scientific logic and algorithms no longer provide the answers?

‘An insightful and humorous tale of the unexpected’ – Reader

‘A sardonic delight.  If Thackeray had lived in the 21st century, then he might have written Charles Middleworth.’  – Reader

Charles Middleworth is available through most regional Amazons on Kindle (£1.96/$3.17) and in paperback.

United Kingdom – www.amazon.co.uk

USA – www.amazon.com

Movie Adaptations of Books

This week’s blog post is about books that inspired great films and others that perhaps should have remained in print form only.  Of course this is a highly subjective matter and these are merely suggestions on my part.

Books that made great films

Fight Club by Chuck Palahniuk

FightClub

Book Synopsis: Every Sunday during the early hours men congregate to fight one-on-one in basements and car lots.  These disenfranchised young men were brought up with absent fathers and fed on a diet of mass media that led them to believe they would be superstars.

The Film: Released in 1999, the film starred Brad Pitt, Edward Norton and Helena Bonham Carter.  Fight Club was nothing if not controversial and the the critics loved and hated it in equal measure.

Summary:  There is no doubt that Chuck Palahniuk’s dark, menacing, brutal and nihilistic creation was not to all readers liking.  However there are few films that have kept so closely to the book that inspired them.  The screen writer’s job must have consisted of little more than some cutting and pasting.

Jurassic Park by Michael Crichton

Book Synopsis: As we all know the story the book is about an island off Costa Rica, where a billionaire philanthropist and a small team of scientists have created a wildlife park of cloned dinosaurs, which end up running amok.  Did I mention it’s fiction.

The Film: Directed by Steven Spielberg, Jurassic Park was a landmark with regards the use of computer generated imagery.  It was also the highest grossing film in history at the time.

Summary: Crichton’s imaginative and suspense filled tale was perfect for adaptation and so it proved with Spielberg wielding the genius and the financial backing to make it a reality.  The sequel The Lost World was a great success too, but then lamentably came Jurassic Park 3 and 4, both abject straight to DVD B movie atrocities.

The Shining by Stephen King

The Shining

Book Synopsis: The ill-tempered Jack, his wife Wendy and young son Danny move to an isolated resort, the Overlook Hotel, where Jack has taken a job as a winter caretaker.  But paranormal activities that involve telepathy and possession result in disaster.

The Film: Directed by the iconic Stanley Kubrick, the film was not initially well received having been criticised by many as deviating from the book.  However over time the slow moving film has been widely accepted as a masterpiece.

Summary: The image of the crazed Jack Nicholson peering through the partially open door is one of the most memorable film shots of all time.  However author Stephen King remains unhappy with Kubrick’s adaptation of  The Shining to this day.  What can I say other than to praise it, after all criticising Kubrick would be an act of hubris.

Books that perhaps should have stayed in print form

The Hobbit by J.R.R. Tolkien

Book Synopsis: As we all know the book follows the quest of Bilbo Baggins, beginning in the Shire and culminating in The Battle of Five Armies.  Ultimately it can be viewed as a book about the development of the protagonist’s character.

The Film: Directed by Peter Jackson the film is the prequel to The Lord of The Rings trilogy.  A number of characters reprise their roles from the earlier films.

Summary: Many have deemed it questionable why after three great films we really need this fourth instalment, a case of milking the cow to death perhaps.  The book moves at a slower pace than The Lord of The Rings trilogy and lends itself less easily to film than the first three.  And then there’s the issue of reprising the roles of Hollywood stars Orlando Bloom, Cate Blanchett and Elijah Wood, even though their characters do not even appear in The Hobbit.  Did I mention it’s 169 minutes long.

Fear and Loathing in Las Vegas by Hunter S.Thompson

Fear and Loathing

Book Synopsis: The book, which is partially autobiographical in nature, follows protagonist Raoul Duke and his attorney Dr.Gonzo to Las Vegas, where they discuss the 1960s counterculture, whilst indulging in a dizzying array of drugs.

The Film: Directed by Terry Gilliam and starring Hollywood heartthrob Johnny Depp, the film was a disaster at the box office.  However over time it has become something of a cult classic.

Summary: Hunter S.Thompson voiced concerns about a movie adaptation of the book.  After all Fear and Loathing in Las Vegas is not a plot based story and there is no doubt that personal hallucinatory experiences do not lend themselves easily to film.  There is also the fact that many viewers struggled to empathise with a character who insisted on taking large quantities of drugs at every opportunity.  Personally I enjoyed it but the book is much better.

The Informers by Brett Easton Ellis

Book Synopsis: The Informers are a collection of short stories set during the decadent 1980s.  The author attempts to link these stories together with the same continuity.  In typical Ellis fashion the characters are mostly vapid, shallow and obsessed with image and consumption.  The book can be viewed as a commentary about the decline of society.

The Film: The 2008 film saw a star studded cast acting out the mostly soulless characters from the book.  There was Winona Ryder, Kim Basinger, Mickey Rourke, Billy Bob Thornton and the list goes on.

Summary: Short stories involving numerous mostly vapid characters was never going to be easy to film and so it proved.  The film was lambasted by the critics and viewers alike as being tedious, tepid and a disgrace to cinema.  But this was not Brett Easton Ellis’s fault okay.  I stress again he was innocent and can take no responsibility for how the film came out.

Twitter Authors (Part 2)

In last week’s Blog Post I evaluated how effective it is in a congested market place for authors to be sending out blanket promotional book Tweets, especially if those Tweets are only being read, if at all, by other authors.  Today’s post, a continuation on this theme, will take the form of making generalisations about the actual composition of these Tweets and commenting on their effectiveness.

The following is a simple breakdown of some of the types of Tweets that authors use to promote their book/s, along with some commentary on how effective I perceive the given method to be.

Pile of Books

Hyperactive Hash-tagging # – I discuss authors’ embrace of the # so often in my blog posts that it is evident that I am becoming somewhat obsessed by the subject.  Authors often utilise this useful Twitter feature so that people searching under that #-tagged term will come across their book.  In most instances one or two #’s are inserted, but there have been instances of up to nine recorded in a single Tweet.

Comment – The # symbol is an invaluable feature when used wisely, but surely I am not alone when I ask myself if there is any value in instances like #Book or #Fiction.  Do potential readers really search under this term, see your book and then go ‘Yes please’ before pressing the buy button.  Surely not.  And then there’s the list, e.g. #paranormal #erotica #vampires #darkness #night #mystical etc etc.  One might argue that a Tweet gives an author a short window of opportunity to showcase their writing and that a long list of # tagged items is hardly an imaginative or intriguing use of syntax.

Grandiose Claim – This is when authors Tweet statements like, ‘Award Winning’ and ‘BEST SELLER!’.  In many instances the author embraces capitalisation and exclamation marks in these Tweets.

Comment: Why not.  After all no-one else is going to sing your praises and in many instances these Tweets seem perfectly valid.  Take the self-published Only The Innocent by Rachel Abbott  for example.  The book was selling several thousand copies a day for months on end.  However there is nothing in this world if not by comparison and it is evident that the same applies in the Twitter sphere.  For examples abound when the BEST SELLER! label on closer inspection transpires to be merely a best-seller in a very small category on Amazon.  Does a book ranked number 4 out of a total of 5 books in the Transgendered Retro Vampire category really justify a best-seller claim?

Aggressive Pitches – e.g. BEST BOOK SINCE THE BIBLE – BUY NOW!!! (link) or less imaginatively – GET YOUR COPY NOW! or something of that nature. This method is also often combined with the ‘Grandiose Claim’ method (see above).

Comment: The best adverts on the television are well thought out, directed at the right audience and above all memorable.  However even these adverts don’t always persuade us to buy the product.  So what are the chances of an unknown author successfully selling books by demanding potential readers to buy with no pitch whatsoever.  Not great one would imagine.

TwitterBird

Dialogue – This is what Twitter was set up for after all, as a way to converse with our fellow humanity without even having to move from the comfort of our desk or to get out of our pyjamas.

Comment: Personally, with the exception of a couple of instances I have only sold books on Twitter through the ‘Dialogue’ method.  As it is only when people get to know the author that they become interested enough to buy the author’s book/s.  It seems apparent from liaising with other authors who have successfully used Social Media that this is generally how they have also sold books through this medium, unless of course they were already famous to begin with.

                                                                                                                                                                                                                                                           

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What happens when Adrian, an actuary, has his banal and predictable existence turned upside down by sinister forces that he can neither understand nor control?  How will he react to a revelation that leaves his life in turmoil?  Will he surrender or strive for redemption in an altered world, where rationality, scientific logic and algorithms no longer provide the answers?

‘An insightful and humorous tale of the unexpected’ – Reader

‘A sardonic delight.  If Thackeray had lived in the 21st century, then he might have written Charles Middleworth.’  – Reader

Charles Middleworth is available through most regional Amazons on Kindle (£1.96/$3.17) and in paperback.

United Kingdom – www.amazon.co.uk

USA – www.amazon.com

Twitter Authors

Today during an idle hour spent on Twitter, I noted that a higher percentage than ever of my Twitter feed consisted of book promotion Tweets.  As an author myself this comes as no real surprise, as many authors follow me and vice versa.  But the question must be asked, is it really effective in a congested market place to be sending out blanket promotional book Tweets, especially if those Tweets are only being read, if at all, by other authors.  I have already devoted previous posts to how authors use Twitter, but today I’ll be making generalisations about the actual composition of the Tweets and commenting on their effectiveness.

Of course there are famous authors who have embraced Twitter, Brett Easton Ellis being a prominent example.  These authors can Tweet about anything, even their choice of sandwich filling at lunch, as whatever they Tweet their Twitter disciples will lap up eagerly.  Some of these followers may even find themselves wondering if the sandwich filling related Tweet is perhaps a comment about post-modernism or global warming.  And then there are the rest of us authors, myself included, struggling for visibility in the book promotion saturated world that is Twitter.

TwitterBird

The following is a simple breakdown of the types of Tweets that authors use to promote their book/s, along with some commentary on how effective I perceive the given method to be.

Repetitive Repetition – The practice of sending out book promotion Tweets 24/7, 7 days a week.  In severe instances several hundred times per day.  The rationale being that if you drive the message home and do it often enough, people will buy your books.

Comment: There may be instances where this method has worked, but more often than not it appears to be akin to a dog chasing its own tail – just because it keeps doing it doesn’t mean it will ever catch it.

The Spin Dryer – An author sends out their book promotion Tweet/s along with Tweets promoting other authors’ books.  This in turn leads to those authors RT’ing that author’s book promotion Tweet and so the cycle continues, with the book promotion Tweet getting exposure to a wider and wider audience, as it continues to be RT’d.

Comment: As one requires exposure to become well known, it is evident that this method is a logical way of putting your product in front of as many of Twitter’s 140m users as possible.  However in the majority of cases these book promotion Tweets appear to be RT’d by other authors, whose Followers also consist largely of authors, not the target readership for the given book.  Another case of the dog chasing its own tail perhaps.

The Sandwich – This is the method in which an author sandwiches their promotional Tweet/s between non-promotional Tweets (i.e. quotes/links etc) as if it were a slice of cheese or ham.

Comment: If new/non-famous authors are to be welcomed in the Twitter sphere they need to be accepted as communicative/interesting people and not merely narcissists, who discuss only their own work.  Thus the sandwiching method is embraced by nearly all authors on Twitter though there are some exceptions.

Quill

The Snippet – This is a much practiced method in which authors utilise the 140 character limit to insert quotes from their books.

Comment: These can be memorable and in some instances amusing, but there are many examples where they are not.  Here is a slightly altered one that I read last month – ‘… and he reached into the drawer, took out a red pen, took off the top and begun writing on the piece of paper on the desk.’  And one is left asking, Why?

I also use this method to promote my book, Charles Middleworth, a humorous tale of the unexpected.  Here are two examples from Charles Middleworth:

‘Well if being related by internet marriage is family, I suppose we are.’

And

‘…her skills more akin to the baking of macaroons than solving the complexities of the universe.’

Click here to read part 2.

                                                                                                                                                                                                                                                          

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What happens when Adrian, an actuary, has his banal and predictable existence turned upside down by sinister forces that he can neither understand nor control?  How will he react to a revelation that leaves his life in turmoil?  Will he surrender or strive for redemption in an altered world, where rationality, scientific logic and algorithms no longer provide the answers?

‘An insightful and humorous tale of the unexpected’ – Reader

‘A sardonic delight.  If Thackeray had lived in the 21st century, then he might have written Charles Middleworth.’  – Reader

Charles Middleworth is available through most regional Amazons on Kindle (£1.96/$3.17) and in paperback.

United Kingdom – www.amazon.co.uk

USA – www.amazon.com

Death of the Browsing Shop

Most writers, myself included, spend a great deal of their time in solitary confinement, either writing or finding an excuse not to write, reading being a particular favourite, in addition to surfing the internet, watching television or on occasion going outside to walk or to pay a visit to the shops.  The other morning having spent many hours at my desk working on various writing assignments, I was eager to have a break and go outside.

Unfortunately London is about as warm and inviting as Siberia at the moment, so I decided to spend some time browsing in local shops.  First up was Blockbuster, the film and game retail behemoth, where one can wander contentedly down the heated aisles, occasionally inspecting a DVD or game one might be interested in buying, before going home and purchasing the given item on the internet.  Unfortunately the chain has gone bankrupt and the various stores have been hurriedly selling off their stock.  Today it is evident that the sale is now over, as Blockbuster is boarded up and I find myself traipsing on, in the direction of the mall.

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On arrival I head eagerly to one of my favourite haunts, HMV, forgetting of course that the film/music/game retailer has gone bankrupt and that this store has also closed since my last visit the week before.  Loitering outside the  empty shell that had been HMV, my gaze falls on Metro Bank directly opposite me and I find myself reminiscing on the time when it had been a two floor Borders book shop, where many idle hours had been wiled away, browsing contentedly amongst its various sections.

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And then I’m heading further into the interior of the mall, turning my head in both directions as I search for browsing opportunities.  In no time at all I’m at the far end of the mall in the supermarket, browsing cheddar cheeses and washing-up liquids.

Having grown weary of this irksome activity I begin my return trip through the mall before turning right into Starbucks, where I discover that even this omnipresent has not been unaffected by the changes all around.  The cafe was revamped the week before, it is more severe than in its previous incarnation and now resembles a laboratory, with less seats and bright lighting that leaves one feeling naked and exposed, an environment that encourages one to purchase a coffee and vacate the premises immediately.

Having spent a total of four minutes in the mall, I find myself outside again, clasping a grande mocha in one hand, heading through the bitter cold towards the park, hoping that this too hasn’t been deemed surplus to requirements and replaced with flat moving escalators that whisk us past lines of vending machines.

                                                                                                                                                                                                                                                           

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What happens when Adrian, an actuary, has his banal and predictable existence turned upside down by sinister forces that he can neither understand nor control?  How will he react to a revelation that leaves his life in turmoil?  Will he surrender or strive for redemption in an altered world, where rationality, scientific logic and algorithms no longer provide the answers?

‘An insightful and humorous tale of the unexpected’ – Reader

‘A sardonic delight.  If Thackeray had lived in the 21st century, then he might have written Charles Middleworth.’  – Reader

Charles Middleworth is available through most regional Amazons on Kindle (£1.96/$3.17) and in paperback.

United Kingdom – www.amazon.co.uk

USA – www.amazon.com

Book Related Twitter Experiences

Last week’s Blog Post was about the various ways in which authors use Twitter.  This week I will be talking about some of my book related experiences on Twitter.  As an author myself I am always interested to see what other authors are doing on Twitter and during the last year I have read a number of books that I was introduced to through this medium.

TwitterBird

There are essentially two reasons for me having read books that I have come across on Twitter.

1). I found the author’s Tweets to be interesting/amusing and/or they became Twitter friends.

Here are some examples (click on links to read my review):

The Squirrel that Dreamt of Madness by Craig Stone – A unique and at times very amusing book.

The Earth Shifter by Lada Ray – A well written YA book, which has proved to be popular with a wider audience. Lada also has a great blog: www.ladaray.wordpress.com

Tollesbury Time Forever by Stuart Ayris – Probably best described as nostalgic Literary Fiction set in rural England.

2). I have selected books because of the positive feedback I have heard about the given book on Twitter (from people other than the author).

Texting Orwell by Ian Little – I enjoyed this amusing and original novella, though its embrace of lavatorial humour may not be to every reader’s liking.

Only The Innocent by Rachel Abbott – This book has become a best seller.  It is in my Kindle queue waiting to be read.

Pile of Books

The following is a less positive Twitter book experience I had recently that I would like to share with you.  One Twitter author, who shall remain nameless, is an example of what I classified last week as an Aggressive Agitator.  Sporadically Tweets  appear in my Feed from this individual that are a call to action.  These Tweets that embrace capitalisation and exclamation marks are of the BUY NOW!!! AWARD WINNING! variety.  The same Tweet is often repeated every minute for up to ten minutes at a time.  Last week on about the eighth repetition of this abrasive approach, I found myself saying, ‘Okay okay’, before hurriedly clicking on the Amazon link.

There I discovered that the book’s cover look like vomitus, there were only two reviews and what had been promoted as an award, now transpired to be merely a mention at a rural fair type event, in an area with a population made up mostly of gators and feral hogs.  But it was none of these factors that prevented me from buying the book, but rather that it was not available in Kindle, only in paperback, with a lengthy wait for delivery and an oppressive price tag.

                                                                                                                                                                                                                                                           

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What happens when Adrian, an actuary, has his banal and predictable existence turned upside down by sinister forces that he can neither understand nor control?  How will he react to a revelation that leaves his life in turmoil?  Will he surrender or strive for redemption in an altered world, where rationality, scientific logic and algorithms no longer provide the answers?

‘An insightful and humorous tale of the unexpected’ – Reader

‘A sardonic delight.  If Thackeray had lived in the 21st century, then he might have written Charles Middleworth.’  – Reader

Charles Middleworth is available through most regional Amazons on Kindle (£1.96/$3.17) and in paperback.

United Kingdom – www.amazon.co.uk

USA – www.amazon.com

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