Tag - Brett Easton Ellis

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Glamorama
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Book Reviews

Glamorama

This week I finished reading Glamorama by Bret Easton Ellis, which I review below.

Glamorama

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Victor Ward aka Victor Johnson is a male model living in Nineteen-nineties Manhattan.  Victor is a vapid, soulless character, devoid of meaningful content, obsessed by celebrity culture and living an existence that revolves around social connections and physical appearance, abdominals being a particular obsession.

Prior to moving to New York, Victor attended the illustrious Camden College, which is evidently a haunt of the elite with many of Camden’s former students residing in Manhattan and appearing in the book.  Victor is in a long-term relationship with model girlfriend Chloe, but has no qualms about seeing a host of other women, who include wealthy Damian’s girlfriend Alison.  Victor had been planning to open a nightclub with Damian, but matters go awry when Damian discovers the affair.

Shortly thereafter Victor, who is increasingly suffering from mental turmoil, is visited by a mysterious private investigator, by the name of Palakon.  Palakon persuades Victor to leave New York and travel to London, his mission to locate Jamie Fields, a former female pupil of Camden, who is apparently still in love with our protagonist.  We follow Victor’s escapades, first on the journey across The Atlantic on the QE2 and then in London and later Paris as he finds his life entwined with a group of fashion models turned terrorists, led by the dangerous former male model Bobby Hughes.  A confused and increasingly Xanax dependent Victor struggles to comprehend the events that he finds himself unwittingly involved in.

Glamorama can essentially be viewed as a satirical work, which is adept at capturing the hedonism of New York during this era.  In typical Ellis fashion, the text is punctuated with numerous pop-culture references, in addition to the occasional vivid description of violence and prolonged graphic sexual encounters, which are not in every instance heterosexual in nature.  The author is widely regarded as the master of dialogue and his skills are in evidence throughout the book’s four-hundred and eighty-two pages, with layer upon layer of speech and continual torrents of conscious thought.  As a result the book though often comical and engaging is at times difficult and often extremely confusing.  The reader is left undecided as to whether many of the events, particularly in the second half of the book, are actually real or are merely part of a constantly mentioned film set.  It could be argued that the film set is not real and its presence is allegorical or maybe merely a comment on the protagonist Victor’s world view.  At any rate it is not clear and there are many other bewildering elements such as the bizarrely numbered chapters of vastly varying lengths, which are for sections of the book in descending order while during other parts seemingly random.

To appreciate this book it is essential that the reader does not become overly obsessed with the myriad of unanswered questions, but instead allows themselves to surrender to the endless display of surfaces and be engulfed by the convoluted world of confusion, more akin to Burrough’s Naked Lunch than a novel, so unconstrained is it by the burden of plot.  Glamorama is a polarising work by a polarising author that is unique, exploratory and free-flowing, in which the author evaluates how reality is actually structured.

Bret Easton Ellis’s most famous work, American Psycho is also reviewed on this site.

Book Reviews

This week I finished reading two quite remarkable though very different books.  The books were Bury My Heart At Wounded Knee by Dee Brown and American Psycho by Bret Easton Ellis.  Please find my reviews for them below:

Bury My Heart At Wounded Knee by Dee Brown

First published in 1970, Dee Brown’s masterpiece is a testament to the plight of the Native Americans in the years 1860-1890.  The author successfully employs a compelling and emotionally charged narrative, as he outlines the history of the various tribes during this turbulent and merciless period in American history.  As the flow of white immigration became an insatiable surge, it pushed ever westwards, encroaching onto the lands of the original inhabitants of this vast country.

This fascinating and compelling account details the noble efforts of individual Native American tribes to maintain their way of life through a multitude of broken promises, treachery, violence and greed that was to ultimately lead to the loss of their liberty and in many instances complete obliteration.

The book allows the reader the opportunity to gain an intricate understanding of these various struggles, including Sitting Bull’s efforts to retain control of The Black Hills and the Apache chief Geronimo’s highly effective guerrilla war.  The author is also equally adept at narrating the less well known yet equally captivating histories of other tribes during this period, such as the Modocs in California, the Utes of Colorado and the flight of the Nez Percés under their charismatic chief Joseph.

The book ends with the massacre of the Sioux at Wounded Knee in 1890, a tragic and avoidable incident, which was to mark the end of an era.

American Psycho by Bret Easton Ellis

American Psycho is a highly controversial novel that brought its young author Bret Easton Ellis instant fame.  The book is written from the perspective of a young Wall Street financier, Patrick Bateman.  Patrick is intelligent, well educated, wealthy and good looking, in addition to being a psychopath.

The anti-hero’s bland narcissistic existence revolves around activities such as fretting over dinner bookings at a host of Manhattan’s finest eateries, a rigorous and very particular fitness regime, a dizzying array of beauty products and an underlying obsession with materialism, particularly clothing; his own and others.  Patrick’s relationship with his numerous hedonistic male and female friends and acquaintances is characterised by a universal shallowness, including that with long-time girlfriend Evelyn.

As the book progresses we are drawn into the mindset of a killer plagued by periods of psychosis and an increasingly voracious appetite for debauchery on an epic scale, which includes torture, mutilation and murder.  At times the narrative is truly horrific in its unrelenting scope for savagery, barbarity and misogyny.  Yet the book is often humorous, particularly the numerous comical scenes in which Patrick attempts unsuccessfully to shock people.  Examples of this include asking for a ‘decapitated coffee’ and when referring to mergers and acquisitions as ‘murders and executions’.  The dark comedy lies not merely in the clever word play, but also in the fact that the parties concerned remain utterly oblivious to what is actually being said.

Essentially the book can be viewed as a satire of the yuppies culture of the 1980s, as it is evident that the author is commenting on society’s obsession with the meaningless and trivial, such as our obsession with fashion accessories.  American Psycho is a fascinating, complex, bleak and often comical book that allows one to gain an understanding of the inner workings of a psychopath, whilst at the same time questioning the very essence of capitalist culture.

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